This project is part of the Learning to See series.
Learning to See is a series of works that use machine learning algorithms to reflect on how our own cognitive biases shape how we ‘see ’ and make sense of the world.
The series includes a number of videos, as well as an interactive installation in which custom neural networks analyse a live camera feed pointing at a table covered in everyday objects, and attempt to reconstruct it in real time, drawing on their prior experience (i.e. training data) and knowledge (i.e. what is learned during training).
An artificial neural network looks out onto the world, and tries to make sense of what it is seeing. But it can only see through the filter of what it already knows.
Just like us.
Because we too, see things not as they are, but as we are.
The work is part of a broader line of inquiry about our cognitive biases, our inability to see the world from others’ point of view, and the resulting social and political polarization.
Learning to See (Interactive) installation view at Creative Machines , Taikang Art Museum , Beijing, China, 2024.
This work is an interactive installation in which a number of neural networks analyse a live camera feed pointing at a table covered in everyday objects.
Through a very tactile, hands-on experience, the audience can manipulate the objects on the table with their hands, and see corresponding scenery emerging on the display, in realtime, reinterpreted by the neural networks.
Every 30 seconds the scene changes between five different custom models trained on custom datasets representing the platonic natural elements: ocean & waves (representing water ), clouds & sky (representing air ), fire , flowers (representing earth , and life ) and images from the Hubble Space telescope (representing aether, the cosmos, the home of God ).
The interaction can be a very short, quick, playful experience. Or the audience can spend hours meticulously crafting their perfect nebula, or shaping their favourite waves, or arranging a beautiful bouquet.
Selected Exhibitions, Performances & Presentations(2 / 2) Only selected shows with project pages are listed below. For more complete exhibition and performance history please see Show History . Words(4 / 4)
The artist’s own writing about this work.
Press(54 / 54) Articles, reviews and other press relating to this work.
Interviews(4 / 4) 2026 Memo Akten on Rituals as Algorithms , Le Random , 13 Jul 2026 · Interview 2020 Memo Akten’s art sees artificial intelligence tackle life, love, and faith , Dazed & Confused , 19 Feb 2020 · Interview 2019 Memo Akten: Spiritual Technology , Metal Magazine , 30 Nov 2019 · Interview 2018 Machine Learning Art: An Interview With Memo Akten , Artnome , 16 Dec 2018 · Interview
Features(6 / 6) 2025 【演算法的靈光】在數據裡尋找靈魂 梅莫.阿克騰:在人工智慧中尋找靈性與感知的邊界 , ARTouch / Art & Investment 392 , 19 May 2025 · Article 2020 Beyond “GANism”: AI Art as Conceptual Art , AI CIAC MTL 3 , Apr · Article 2020 Bots vs. AI: Two Kinds of Software Art Take Different Approaches to the Digital Commons , Art in America , 23 Jan 2020 · Article 2019 Plurality Of Digital Practices , Art in the Digital Age , 18 Jan 2019 · Review 2018 Memo Akten Explores Human-Machine Interaction with AI , Hyundai / Bloomberg Art and Technology series , short documentary profile of Memo Akten , 1 May 2018 · Documentary · Video (4:13) 2017 DocLab exhibition asks “Are robots imitating us or are we imitating robots?” , We Make Money Not Art , 28 Nov 2017 · Review
Books(11 / 11) 2025 Cinematic Algorithms: The Rise of Generative AI in Video Art and Visual Culture , James Hutson, Andrew Smith, CRC Press · Book 2024 The Art of Artificial Intelligence: Philosophical Keywords , Alice Barale, Cambridge Scholars Publishing , pp. 19 · Book 2024 Data-Driven Innovation in the Creative Industries , Melissa Terras, Vikki Jones, Nicola Osborne, Chris Speed (eds.), Routledge , pp. 206 · Book 2024 Art and Culture in the Multiverse of Metaverses: Immersion, Presence, and Interactivity in the Digital Age , James Hutson, Springer Nature , pp. 82–83 · Book 2023 Autographic Design: The Matter of Data in a Self-Inscribing World , Dietmar Offenhuber, MIT Press , pp. 183–184, 192–194 · Book 2023 Digital Art (World of Art, fourth edition) , Christiane Paul, Thames & Hudson , pp. 222–224 · Book 2022 Architecture in the Age of Artificial Intelligence: An Introduction to AI for Architects , Neil Leach, Bloomsbury Publishing , pp. 87–88, 183, 185, 187, 203 · Book 2022 Collective Wisdom: Co-Creating Media for Equity and Justice , Katerina Cizek, William Uricchio, MIT Press , pp. 318 · Book 2022 The Contested Territory of Architectural Theory , Elie G. Haddad (eds.), Routledge , pp. 234 · Book 2021 Art in the Age of Machine Learning , Sofian Audry, MIT Press , pp. 4, 56–59, 150–152, 160, 176 · Book 2020 The Artist in the Machine: The World of AI-Powered Creativity , Arthur I. Miller, MIT Press , pp. 74–76 · Book
Other Coverage(9 / 9) 2026 Off-Grid Aesthetics: Where the AI Prompt Cannot Go , Right Click Save , 17 Jul 2026 · Article 2025 Christiane Paul on Defining AI Art , Le Random , 23 Apr 2025 · Article 2022 AI Artist Spotlight: Memo Akten , NightCafe , 22 Dec 2022 · Article 2021 Like an A.I. acid trip, this neural net rebuilds reality with flowers and fire , Digital Trends , 4 Aug 2021 · Article 2021 Memo Akten: the environmentally conscious digital artist , Art Rights , 13 May 2021 · Article 2020 Artificial Intelligence art critics , Wired , 25 Jan 2020 · Article 2018 Learning to See , MIT Docubase , 26 Nov 2018 · Article 2018 Learning To See – Making deep neural network predictions on live camera input , CreativeApplications.net , 20 Mar 2018 · Article 2018 How to trick artificial intelligence? , Tech Insider , 20 Mar 2018 · Article
News(6 / 6) 2019 GTC 2019 Keynote with NVIDIA CEO Jensen Huang , NVIDIA , Learning to See shown at 0:32, with the voiceover “[AI is] inventing new ways to bring out the creative genius in us all” , 18 Mar 2019 · News · Video 2018 Learning to see : la machine-artiste de Memo Akten au Grand Palais ! , Grand Palais , 14 Jun 2018 · News 2018 Что происходит, когда ИИ знает только о цветах, волнах и огне , Shazoo , 22 Mar 2018 · News 2018 Watch neural networks see only what they've been trained to see , Boingboing , 21 Mar 2018 · News 2018 Снятся ли нейросетям электроовцы? Машина разглядела цветы в проводах , Tech Onliner , 20 Mar 2018 · News 2018 Gloomy Sunday , Prosthetic Knowledge , 18 Mar 2018 · News
Academic Papers(18 / 18) 2025 Bizarre Love Triangle: Generative AI, Art and Kitsch , Dejan Grba, Journal of Digital Media & Interaction 8 (20) , pp. 65–80 , 30 Dec 2025 · Academic paper 2025 The End of the Image , Shawn Lawson, Mutual Images Journal 13 , pp. 115–128 , 20 Dec 2025 · Academic paper 2025 Responding to Global Challenges Through Data-Driven Art , Martin Zeilinger, The New Real Magazine 2 (1): Planetary Futures , pp. 48–52 , 27 Jun 2025 · Academic paper 2025 Geleceğin Sanatına Yolculuk: Dijital Sanatın Yapay Zekayla Buluşması , Semra Beyza Kahraman, Sezgi Nur Öztürk, İstanbul Arel Üniversitesi İletişim Çalışmaları Dergisi 27 , pp. 120–134 , 24 Jun 2025 · Academic paper 2024 Reflexive Data Curation: Opportunities and Challenges for Embracing Uncertainty in Human–AI Collaboration , Anne Arzberger, Maria Luce Lupetti, Elisa Giaccardi, ACM Transactions on Computer-Human Interaction 31 (6), article 74 , pp. 74:5 , Dec · Academic paper 2024 Visions of Destruction: Exploring a Potential of Generative AI in Interactive Art , Mar Canet Sola, Varvara Guljajeva, 17th International Symposium on Visual Information Communication and Interaction (VINCI 2024), article 36 , pp. 1–8 , Dec · Academic paper 2024 Curadoria, cognição e sensibilidade: exposições de arte com inteligência artificial , Daniel Hora, Revista VIS 23 (2) , pp. 78–94 , Dec · Academic paper 2024 Convergence and Process Orientation in Algorithm and Generative Art , Qiaohe Yang, Proceedings of the 2024 3rd International Conference on Social Sciences and Humanities and Arts (SSHA 2024), Atlantis Press , pp. 339–341 , 21 Jun 2024 · Academic paper 2024 Machine Learning Processes as Sources of Ambiguity: Insights from AI Art , Christian Sivertsen, Guido Salimbeni, Anders Sundnes Løvlie, Steve Benford, Jichen Zhu, Proceedings of the CHI Conference on Human Factors in Computing Systems (CHI ’24), article 165 , pp. 1–14 , 11 May 2024 · Academic paper 2024 Visions Of Destruction: Exploring Human Impact on Nature by Navigating the Latent Space of a Diffusion Model via Gaze , Mar Canet Sola, Varvara Guljajeva, Proceedings of the Eighteenth International Conference on Tangible, Embedded, and Embodied Interaction (TEI ’24) , pp. 1–5 , 11 Feb 2024 · Academic paper 2022 Architectural Hallucinations: What Can AI Tell Us About the Mind of an Architect? , Neil Leach, Architectural Design 92 (3), Machine Hallucinations: Architecture and Artificial Intelligence , pp. 66–71 , 7 Apr 2022 · Academic paper 2022 Experiential AI: Enhancing explainability in artificial intelligence through artistic practice , Drew Hemment, Dave Murray-Rust, Vaishak Belle, Ruth Aylett, Matjaz Vidmar, Frank Broz, University of Edinburgh (preprint) , pp. 8 , 18 Mar 2022 · Academic paper 2022 Deep Else: A Critical Framework for AI Art , Dejan Grba, Digital 2 (1) , pp. 1–32 , 5 Jan 2022 · Academic paper 2022 Towards a heuristic model for experiential AI: Analysing The Zizi show in The New Real , Drew Hemment, Martin Zeilinger, Matjaz Vidmar, Jake Elwes, Holly Warner, David Sarmiento Pérez, Robin Hill, DRS2022: Bilbao , pp. 10 · Academic paper 2021 Prototyping Machine Learning Through Diffractive Art Practice , Hugo Scurto, Baptiste Caramiaux, Frédéric Bevilacqua, Designing Interactive Systems Conference 2021 (DIS ’21) , pp. 2013–2025 , 28 Jun 2021 · Academic paper 2020 Memo Akten’s Learning to See: from machine vision to the machinic unconscious , Claudio Celis Bueno, María Jesús Schultz Abarca, AI & SOCIETY 36 (2021) , pp. 1177–1187 , 23 Sep 2020 · Academic paper 2020 Creative AI: From Expressive Mimicry to Critical Inquiry , Angus G. Forbes, Artnodes 26 , pp. 1–10 , 21 Jul 2020 · Academic paper 2019 AI: More Than Human, Barbican, 16 May–26 August , Thomas Hodgson, Sound Studies 6 (1), 2020 , pp. 99–103 , 4 Nov 2019 · Academic paper Show History(16 / 16) Group Exhibitions(16 / 16) 2025 Creative Machine , Wanlin Art Museum , Wuhan, China 2024 Creative Machine , Taikang Art Museum , Beijing, China , 15 Nov 2024–Apr 2025 2024 Execute Photography , RMIT Gallery , Melbourne, Australia 2023 AI: Artificial Intelligence , CCCB , Barcelona, Spain , 18 Oct 2023–17 Mar 2024 2022 AI: More than Human , Guangdong Science Centre , China 2022 In Plain Sight , The Wellcome Collection , London, UK 2022 Stranger Dreams , Mains d'Oeuvres , Saint-Ouen, Paris, France 2021 AI: More than Human , World Museum , Liverpool, UK , 18 May–31 Oct 2021 2021 Im/possible Images , Lothringer 13 Halle , München, Germany 2021 When Machines Dream the Future , Goethe Institute , Dresden, Germany 2020 Watermans Art Centre , London, UK · online 2019 AI: More than Human , Forum Groningen , Groningen, Netherlands , 7 Dec 2019–16 Aug 2020 2019 AI: More than Human , Barbican , London, UK , 16 May–26 Aug 2019 2018 Future Humanity: Our Shared Planet , Hyundai Motorstudio Beijing , Beijing, China , 7 Nov 2018–28 Feb 2019 2018 Artistes & Robots , Grand Palais , Paris, France 2017 DocLab , International Documentary Film Festival Amsterdam (IDFA) , Amsterdam, Netherlands Details
Medium Interactive installation. Custom software.
Materials Custom software, PC, camera, projection, cables, cloth, wires.
Technique Custom software, Artificial Intelligence, Machine Learning, Deep Learning, Generative Adversarial Networks.
Editions 3+2AP
Collections M+ Museum of Art